NATHANIEL MASON

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DEMAND THE IMPOSSIBLE Common/Wealth Theatre

Demand the Impossible is part-performance, part punk-gig, part-sensory experience, exploring police injustice and the undercover infiltration of activist networks. It challenges us to question truth, trust and power, as uncomfortable relationships between the state, police and citizens are exposed.

Supported by Immersive Arts, Media Cymru and Arts Council England

The Gaurdian ****

Nation.Cymru
The Stage

As a sensory experience and punk gig, Demand… is massively successful. Oliver Emanuel, Ruari Floyd and Jassen Summogum are excellent as musicians and performers, with their punk set adding energy and humour to the show and their backing music lending a strong ambience. Summogum’s spoken word poetry is another highlight, and Nathaniel Mason’s projection design – combined with Mark Gubb Studio’s set and visual design – offers an arresting experience, with thin mesh sheets projecting powerful arthouse cinematic sequences combined with live 1960s-style visuals of the performers. - Buzz Magazine
Images below by Jon Putney

< DEMAND THE POSSIBLE > immersive punk gig sensory theatre

< TOTNES ARTS CENTRE > creative director , immersive systems design

< DARK MOUNTAIN 27 > volumetric render, publication

< LABATORY OF LULLABYES > immersive

< DOLLY XR > volcap, vr, digital identity, rendered

< ATTON=RAON > immersive gig, touchdesigner, projection

< THE IMMAGINARIUM INTERACTIVE > interactive exhibition, unreal engine, sensors

< MUSIC VIDEOS > ai, new media

< PROSTHETIC HEAD > audio interactive visuals, live motion capture

< ANATOMY OF A NETWORK > 3d render, pointcloud, portraits

< VOLUMETRIC LANDSCAPES > lidar, photogrammetry

< WHEN THE RAIN STOPS FALLING > theatre tech, multi screen

< JUST ADD WATER > photogrammetry, 3d render, houdini, touchdesigner

< PROSTHETIC HEAD > audio interactive visuals, live motion capture